remix culture

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By Keidra authorial intent best practices copyright Corporate Ownership Creative Commons Cultural appropriation cultural memory fair use fan culture fan fiction fan labor fandom fangirl fans fanworks free culture Harry Potter intellectual property internet internet culture law licensing/ownership dichotomy long tail Media in Transition MIT Nine Inch Nails participatory culture presentations remix culture Serenity/Firefly social norms Star Wars the best fan or customer is mad this means what I want it to mean trademark transformative transmedia Trent Reznor user-generated content you tube

03 May: Our MIT6 Conference Presentation: The Intellectual Property of Remix Culture

After a truly great time presenting about fan culture two years ago at MIT5: Creativity, Ownership, and Collaboration in the Digital Age, we presented at…

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By keidra copyright Corporate Ownership Creative Commons economic analysis empirical fandom fans independent labels intellectual property internet licensing/ownership dichotomy marketing music Nine Inch Nails participatory culture recording industry remix culture the recording industry is hastening its own slow death Trent Reznor

18 Jan: Give it away: Why releasing music (and video!) through Creative Commons licenses is good for fan relations

We write about Nine Inch Nails a lot around here at Learned Fangirl. It’s not just because at least one of us is a hugely…

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By Raizel copyright Creative Commons Cultural appropriation cultural memory cultural ownership economic analysis fan culture fans fanworks free culture intellectual property internet culture moral rights open source orphan works participatory culture political economy public domain remix culture social norms the best fan or customer is mad user-generated content

12 Jan: Book Review: Remix: Making Art and Commerce Thrive in the Hybrid Economy

Remix: Making Art and Commerce Thrive in the Hybrid Economy, is the highly recommended third book by Laurence Lessig, focusing on why and how copyright…

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By Raizel copyright Cultural appropriation cultural memory cultural ownership economic analysis fandom Henry Jenkins licensing/ownership dichotomy marketing media literacy media profession MIT participatory culture political economy remix culture social media social networking transmedia user-generated content

04 Jan: MIT’s Comparative Media Studies Conference — Futures of Entertainment 3

While we can’t make it to every great conference held at MIT by the cutting-edge Comparative Media Studies program, they have put on another great…

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