by Shontavia Johnson Black. Lives. Matter. In the past three years, these three simple words have formed the foundation for one of the most prominent…
by Raizel Liebler Anthea Kraut’s Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance (Oxford 2016) is an essential entry to the growing…
by Raizel Liebler Matthew David & Debora Halbert’s Owning the World of Ideas: Intellectual Property and Global Network Capitalism (Sage 2015) is an excellent short…
by Raizel Liebler Orly Lobel’s book Talent Wants to be Free: Why We Should Learn to Love Leaks, Raids, and Free Riding (Yale University Press…
Until recently, Clay Shirky was best known as the author of Here Comes Everybody: The Power of Organizing Without Organizations. The book was widely praised…
This is the abstract and a short conclusion from my recent AALS presentation; the article will be published in IDEA: The Intellectual Property Law Review….
Due to the difficult line determining what is commercial and non-commercial use of copyrighted materials, Creative Commons has recently completed a study regarding this issue…
[youtube=http://www.youtube.com/watch?v=pxn567bHny8] I come neither to bury Barbie nor to praise her, but to acknowledge her larger cultural role, after turning fifty this year. And she…
[blip.tv ?posts_id=2091622&dest=-1] The Center for Social Media just released the above video, Remix Culture: Fair Use Is Your Friend, to help illustrate the Code of…
Ignoring cultural context has led to some incredibly bizarre cease-and-desist notices recently. Yet intellectual property and culture are tied together. New works are not created…