by Raizel Liebler Made in Korea : studies in popular music (2017), edited by Hyunjoon Shin and Seung-Ah Lee is another excellent entry in the…
by Raizel Liebler Creativity Without Law: Challenging the Assumptions of Intellectual Property (New York University Press 2017), an edited collection is an important contribution to…
by Raizel Liebler Two recent books delve into what it means to be a fan: Adrienne Trier-Bieniek’s edited collection, Fan Girls and the Media: Creating…
by Raizel Liebler This is a book review of Meg Leta Jones’ Ctrl + Z: The Right to Be Forgotten (NYU Press 2016). But it…
by Caitlin Rosberg The New Mutants: Superheroes and the Radical Imagination of American Comics by Ramzi Fawaz (NYU Press 2016) looks like the kind of…
Harold Goldberg’s All Your Base Are Belong to Us epitomizes the central ideological premise of much of games journalism today–in both the good and the…
by Raizel Liebler Anthea Kraut’s Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance (Oxford 2016) is an essential entry to the growing…
by Raizel Liebler Michael Fuhr’s Globalization and Popular Music in South Korea: Sounding out K-pop (2016) is an very important addition to the growing field…
If game studies as a whole suffers from too much confessionalism and too many think pieces to be truly taken seriously, Adrienne Shaw’s Gaming at…
by Raizel Liebler Neil Richards’ Intellectual Privacy: Rethinking Civil Liberties in the Digital Age (Oxford University Press 2015) is an eminently readable book about privacy…