by Raizel Liebler Assuming you are someone who is a creator, rights of publicity likely effect what you do, even if you aren’t aware of…
by Raizel Liebler I’m already paying for content. So are you. Even if you have never taken out your credit card to pay. But it…
by Raizel Liebler This is a book review of Meg Leta Jones’ Ctrl + Z: The Right to Be Forgotten (NYU Press 2016). But it…
by Raizel Liebler Dal Yong Jin’s New Korean Wave: transnational cultural power in the age of social media (2016) is an important entry to the…
by Raizel Liebler Anthea Kraut’s Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance (Oxford 2016) is an essential entry to the growing…
by Raizel Liebler Michael Fuhr’s Globalization and Popular Music in South Korea: Sounding out K-pop (2016) is an very important addition to the growing field…
by Raizel Liebler Digital Confidential: The Secrets of Studying Behavior Online (MIT Press 2015), edited by Eszter Hargittai and Christian Sandvig, is a very different…
by Raizel Liebler What would you think about if there was a useful and arguably essential source of information from the top level of one…
by Raizel Liebler There are many hopes for the newest season of Agent Carter, the short series focusing on the Marvel character who was an…
by Raizel Liebler & Keidra Chaney Last year, we wrote an article published in Pace Law Review about how social media usage interacts with employment,…